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At the risk of sounding heretical, let me admit from the outset that I don't like the Nonesuch Bible very much. Gazing at the photo above, I'm tempted to write a post about vintage Rumidors or perhaps the print of General Grant and his staff which I rescued from the floor -- literally -- of a Georgia antique shop (where I can assure General Lee suffered no such indignities). But this is Bible Design Blog, and I know my duty. So the Nonesuch Bible it is.

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The concept, at least, appeals to me. A single column, paragraphed Bible divided into three volumes: #1 and #2 contain the Old Testament, #3 the New Testament and Apocryphya. To liven things up, over a hundred reproductions of Bernard Salomon's nineteenth century woodcuts are interspersed throughout. Unfortunately, the Nonesuch Bible -- at least in this edition -- suffers from poor execution.

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Let's not dwell on the negative just yet. The paper's not bad at all. Nice and thick, very opaque, so far so good. The section divisions are printed on thicker stock and has a tendency to rise up, so handling is tricky when you near the transitions. Otherwise, I give the paper a thumbs up. 

The problem is what's printed on the paper, or rather, where it's printed. The text columns float too close to the inner margin, so the text looks as if it's being sucked into the gutter. The photographs actually don't do justice to the phenomenon because you can't appreciate the extent to which the book block isn't opening flat. But you can get a sense from looking:

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I'm also not fond of the way the woodcuts are deployed within the text. There they are, just floating around. I realize this is exactly how photos on Bible Design Blog look. But that's because I'm not a very good web designer, not because I like it that way. 

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Overall, the Nonesuch Bible always seems to push its ornamentation a step too far for my taste. This title (below) at the head of perhaps my favorite passage in Scripture illustrates the point. You get one layer of decorative swirls, then the title -- which ought to be enough on its own -- and they a different decorative rule. And then, because we're still not fancy enough, here's an awkward drop cap for good measure. 

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One thing I do like in the layout above is the way the verse range is given in the margin. That's a nice touch. 

It's always possible that I'm being too hard on the Nonesuch Bible. Since I'd heard good things about it, my expectations ran pretty high. For me, the most important thing in a book is the typography. I'll forgive a lot if the type looks good. But here it doesn't. Thin and crowded in a long, narrow column, I find myself gazing at it a few seconds and wanting to move on to something else, like the Mandersteig New Testament. Your mileage may vary -- and there's a nicer edition of the Nonesuch from earlier in its run which might not suffer from the faults I've outlined. For me, though, there are better examples of what can be done in terms of single column text settings.

J. MARK BERTRAND

J. Mark Bertrand is a novelist and pastor whose writing on Bible design has helped spark a publishing revolution. Mark is the author of Rethinking Worldview: Learning to Think, Live, and Speak in This World (Crossway, 2007), as well as the novels Back on Murder, Pattern of Wounds, and Nothing to Hide—described as a “series worth getting attached to” (Christianity Today) by “a major crime fiction talent” (Weekly Standard) in the vein of Michael Connelly, Ian Rankin, and Henning Mankell.

Mark has a BA in English Literature from Union University, an MFA in Creative Writing from the University of Houston, and an M.Div. from Heidelberg Theological Seminary. Through his influential Bible Design Blog, Mark has championed a new generation of readable Bibles. He is a founding member of the steering committee of the Society of Bible Craftsmanship, and chairs the Society’s Award Committee. His work was featured in the November 2021 issue of FaithLife’s Bible Study Magazine.

Mark also serves on the board of Worldview Academy, where he has been a member of the faculty of theology since 2003. Since 2017, he has been an ordained teaching elder in the Presbyterian Church in America. He and his wife Laurie life in Sioux Falls, South Dakota.

http://www.lectio.org
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